Showing posts with label Cahiers du cinéma. Show all posts
Showing posts with label Cahiers du cinéma. Show all posts

Friday, 16 October 2015

Fabrizio Federico's - Favourite Books


Down & Dirty Pictures - Peter Biskind
Go Ask Alice - Anonymous
A Clockwork Orange - Anthony Burgess
Childhoods End - Arthur C. Clarke
The Wind In The Willows - Kenneth Grahame
Beyond Good and Evil - Freidrich Nietzsche
Lilith - J. R. Salamanca
Helter Skelter - Vincent Bugliosi
Easy Riders, Raging Bulls - Peter Biskind
The Doors of Perception - Aldous Huxley
Cries Unheard - Gitta Sereny
One Flew Over The Cuckoo's Nest - Ken Kesey
The Adventures Of Roberto Rossellini - Tag Gallagher
The Dead Zone - Stephen King
Crowds and Power - Elias Canetti
Edie: American Girl - Jean Stein
Pimp - Iceberg Slim
The Picture Of Dorian Gray - Oscar Wilde
The Atrocity Exhibition - J. G. Ballard
Confessions of an English Opium Eater - Thomas De Quincey
Animal Farm - George Orwell
Deep in a Dream: The Long Night of Chet Baker - James Gavin
Last Exit to Brooklyn - Hubert Selby, Jr.
The Doctrine of Fascism - Benito Mussolini
On the Road - Jack Kerouac
The Master and Margarita - Mikhail Bulgakov
The Little Prince - Antoine de Saint-Exupéry
Alice's Adventures in Wonderland - Lewis Carroll
The Alchemist - Paulo Coelho
The Cult of Violence - John Pearson
The Talented Mr Ripley  - Patricia Highsmith
Brighton Rock - Graham Greene
Interview with the Vampire - Anne Rice
In Cold Blood - Truman Capote
Trainspotting - Irvine Welsh
12 Days on the Road: The Sex Pistols - Noel E. Monk
Story of the Eye - Georges Bataille
Say You Love Satan - David St. Clair
Catcher in the Rye - J. D. Salinger
Wiseguy - Nicholas Pileggi


Sunday, 26 July 2015

Fabrizio Federico - Cinema War


After the recent controversies surrounding the film Pregnant, opinion is rampant on this new style of cinema that originated with the PINK8 manifesto.

Its a call to arms to up and coming filmmakers - pure and simple.

 

Monday, 13 July 2015

Fabrizio Federico - Film Interview gone WRONG


                                                         






Wednesday, 17 June 2015

The No School Film Movement



Fabrizio Federico wants to slash old ideas and start again. One way of doing this, in his case, is writing a manifesto that states that film school is poison, films shouldn’t be shot on HD, and that continuity is wrong. The result, as you can see from his latest project’s trailer below, is seemingly a lo-fi oddity that harks back to the underground cinema of Richard Kern and his ‘cinema of transgression’ cohorts.

Described as “a deliberate assault on the senses”, Pregnant is a contemporary tale about technology addiction in the 21st century, which Federico has been working on for over two years, with the ostensible intention of striking at the heart of today's iPhone-clutching generation.

Whether you find this kind of thing infuriatingly pretentious or bracingly provocative, a film that wants to shake up the system can’t be ignored. Why? Because how else will we discover a new, game-changing cinematic language that upends the status quo? Roll on the revolution...

Pink8 Manifesto:

Film school is poison.
Look for street superstars to be your cast.
Your film must be made on no budget, just sporadic money.
The director must raise "get-by" money by finding a job that challenges their ethics.
The director must have a main character role in the film.
Short films are NOT acceptable, it MUST be a feature.
The cast must NOT know what your film is about.
Filming must be done without any preparation or a traditional script.
Your film must be 95% improvised.
Special lighting is not acceptable.
No HD Cameras
No 3D
No Green Screen
The director must edit the film alone.
Mistakes are beautiful.
Continuity is wrong.
Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly, and imperfect are perfect.
Technical film experience is inessential.
Answer to one person only—yourself.




Friday, 22 May 2015

The New Ethos in Cinema: DIY ////// Pregnant (2015) Directed by Fabrizio Federico



Semi-staged interviews, improvised dramatic scenes, tormented LSD romance, and insular self-reflectivity, regarding the modern problem of social media and technology addiction. 

A riff on myth and identity.

Pregnant is an albatross that will squeeze the effete out of cinema. It transcends mere intellectual art house films and strikes a note very similar to watching an album similar to something by De La Soul, DJ Shadow or The Wu Tang Clan. Federico has called himself a  ''DJ film director'', its's vibe is shamanic and surreal. What has emerged is a mixed soup of urban chaos, pop, and disturbing psychedelic visuals mixed with contemplation and silence. A whole new recipe for cinema.

The film showcases the contrast between old and new society. On one hand you have the new demented 24/7 media anarchy that has emerged in the wake of the Youtube & Facebook social media generation, and on the other hand you the lone figure of the desert drifter, who is free from the stress of society and technology, silently roaming the desert and living in the ''now''. Alone from distractions and able to connect with the idea of reaching your personal Zen. 

Mixing the rituals and beliefs of Shamanism and Pagan rites to lead you on a surreal journey,

composed of movements depicting a trip through a VHS mix tape.

An enthralling mess, only too happy to make you cuckoo. But its also something more important that demands repeated viewing similar to such films like Easy Rider, Gummo or Memento. It's Federico's 'Pop Symphony for Film’. 







    

Tuesday, 5 May 2015

PINK8 Manifesto - A Crusade on the Nature of Cinema




Pink8 Manifesto

  • Film school is poison.
  • Look for street superstars to be your cast.
  • Your film must be made on no budget, just sporadic money.
  • Mistakes are beautiful.
  • The director must raise "get-by" money by finding a job that challenges their ethics.
  • The director must have a main character role in the film.
  • Short films are NOT acceptable, it MUST be a feature.
  • The cast must NOT know what your film is about.
  • Continuity is wrong.
  • Filming must be done without any preparation or a traditional script.
  • Your film must be 95% improvised.
  • Special lighting is not acceptable.
  • No HD Cameras
  • No 3D
  • No Green Screen
  • The director must edit the film alone.
  • Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly, and imperfect are perfect.
  • Technical film experience is inessential.
  • Answer to one person only—yourself.

Wednesday, 11 March 2015

Fabrizio Federico - Film director


Potent sensuality yet underscored with a subtle intelligence and projected broad-mindedness towards his outsider subjects. 

Federico's works are relentless, strange and unorthodox but nonetheless cover a lot of ground when it comes to everyday life topics and emotions. Such as; madness, sex, scandal, love social media addiction, the occult, self harm, baseball, young death, underground culture, money, drugs, childhood, dreams, shamanism, careering, and violence. 

His style is like catching your father with your girlfriend. Morals being sold off for experiences. ''Cinema is just a collection of emotions and it's the filmmakers job to either torture, offend or entertain the audience. Movie's shouldn't just give pleasure, they don't always operate like that, people don't always operate like that. Sometimes we're happy and sometimes we're sad, other times we're reckless and those make the best movies.''

A creation of many characters  and sides within himself in order to become a state of seductive grace. Changelings embrace and collect different lifestyles. Devouring life similar to how an emperor would, or a tyrant.Space trucking and time travelling through history. A good trick if you know where you stand at the gates of dawn. 

Many artists have pulled of this trick:  Lord Byron, David Bowie, Salvador Dali, Andy Warhol...

''We choose our paths and we follow them, collecting all our vices and loves with relish along the way, no matter how fucked up that makes us. But in our own eyes we're immaculate. I've always loved the ending scene of Teen Wolf, I'd like to achieve something similar to that one day. Instant nirvana, I'd like the films to be like potions and Indian ink.'' Fabrizio Federico

FILMography:
  
Black Biscuit (2012)
Pregnant (2015)

Shorts

Virgin Rebel (2012)
Demon (2012)
Who Killed Vanilla Ice? (2014)

Music Videos
  
Wu Lyf - Heavy Pop (Stoned Version) (2011)
Marc Reeves - Home (2011)
Black Biscuit (Soundtrack)  - Knocks (2012)
Iceage – You’re Nothing (2013)
Sex Pistols - USA tour 1978                                                                                  
Mao - (Cuckoo Opera (2012)  
Mao - Possessed (2013)
Abram Taber - Alexander (2013)
Daniel Angelus - Dead Romantic (2012)
Sinéad O'Connor - War - SNL (Voodoo Blues - Version) (2015)
The December Sound - Painkiller (2013)
Avoxblue - Dreaming Thru Your Eyes (2013)
The Difference Engine - Lights I (2013)





 

 

 



 



Tuesday, 24 February 2015

Fabrizio Federico - Interview with Jordan Dilger

https://jordandilger.wordpress.com/



I had not heard about Fabrizio until he posted a trailer (Black Biscuit) on our Facebook page. Not unusual, except it was our university film society page and he doesn’t go to our university, or live in London (where our university is). Over the next few weeks he posted other things, mainly about Pink8 (Google it, i’m not a spoon).

We joked about the oddity and let it be. But a germ had been planted. Slowly it spread and now I wanted to discover more about Fabrizio. I think I’m in love. I know it will never work, it just makes the bond stronger. I tried to organise a personal interview in order to capture him and chain him to my bed. However he caught on and decided to do one over the internet. Or he was busy, one or the other.

This is my feeble, anarchic attempt to unpick him…