Friday, 17 May 2019

What’s Your Band Called, Mate? Get to know PARANOID ALICE


 Robert Carr - Bass, Vocals

Favourite bands: Blink-182, Sum41, Anti-flag, Leftover Crack and Nirvana and I also love Jack Johnson, Colin Hay and Newton Faulkner 

Favourite movie: Currently it's Avengers: Infinity War but I also love Filth. 

First live gig: I've been going to live gigs for years and years but the first proper big gig was Blink-182 in Liverpool. I've seen them twice and loved it both times 

What I look for in a girl? Caring, compassionate, funny, driven and intelligent. I'm lucky enough to have found her 

Favourite dead musician? It has to be Kurt Cobain. Such a legend and music has been inspiring to me 

Hobbies: as a singer songwriter i enjoy music, poetry and booze. Duno if booze counts as a hobby but god knows I like a drink. And i used to be heavily into DC but I'm all about Marvel lately especially the cinematic universe.

Pets: I have a dwarf hamster called Franco, we currently have made him our band manager. 

 Fab - Guitar, Vocals

Favourite bands: Brian Jonestown Massacre, Iceage, The Doors, anything druggy.

Favourite movie: The Last Movie, it got Dennis Hopper blacklisted from Hollywood.

First live gig: The Spice Girls; I had to take my little sister when I was twelve. Posh Spice blew me a kiss.

What I look for in a girl? Intellectual and sexy.

Favourite dead musician? Syd Barrett, Lil Peep and David Bowie.

Hobbies: Visiting weird museums, film-making and practising witchcraft.

Pets: Had a snake called Snacks but my landlord stole him.

 Jack Gourley - Drums

Favourite bands: Parkway drive, Nirvana, Blink 182, Trivium, Arctic Monkeys all sorts of stuff really. 

Favourite movie: Of all time.... Jurassic park (insert theme here) 

First live gig: Love me some live gigs, the last one I went to I was lucky enough to see the prodigy before Keith flint took his own life. 

What do I look for in a girl? Yknow, someone who can match my enthusiasm for everything. 

Favourite dead musician: Has to be John Bonham for me as a drummer hearing the intro to when the levee breaks by zeppelin gives me chills 

Hobbies: Drums, drums and more drums? In all honesty though I do dabble with the music tech side of the world cant get enough, total gear head when it comes to tech, I'm also a fair carpenter, I like wood work and that sort of stuff. 

Pets: No pets, had a cat once.

Thursday, 9 May 2019

Interview with Jesse Valencia about his new Brian Jonestown Massacre book 'Keep Music Evil'

When did you first come across the Brian Jonestown Massacre?
I first came across the BJM during my first time taking LSD, in early February 2008. A friend of mine had given me about four hits and showed me their music, and the next day we watched 'Dig!' After hearing Anton's call to revolution, I became infatuated with the band.

What was it about them that moved you to write this book?
What moved me to write the book was a daft challenge given to me by Anton himself after I suggested to him he should write a book counteracting the narrative of 'Dig!' He responded with, "Why don't you write a book?" and ten years later, here we are.

Do you have a favourite BJM album and song?
My favourite BJM album has to be 'Take It From The Man' and my favourite song is probably 'Straight Up And Down.' When the buildup explodes into that epic solo the happy molecules explode in my brain.

I believe you're also in a band, when did you guys first get together and what are the bands plans for 2019?
I first formed Gorky in 2000 or 2001. This year we've just released our third record 'Mathemagician' and just got back from our first tour. We're hoping to tour more this year and get to work on new music as soon as possible!

Did Anton cooperate with the books genesis?
"Cooperation" is a loaded word. He gave me initial permission to work on the book, but he didn't want to be involved in any way, understandably so, because of how bad "Dig" portrays him. Me not being a journalist, I just went for anyone who would talk to me. Some of them would say "I have to ask Anton first" and then he would tell them not to interact with me. Sometimes he would tell them they could and it worked out, but as time went on and I became more serious with the project there was more resistance on his end. Now where we're at is he's blocked me on Twitter, I assume for the reason that he does not want to give the book any attention, negative or positive, which has now triggered some of his followers to turn on the book, and me, which in turn has led to an arguably laughable boycott campaign. Those against it say I am either drumming up more sensationalism against the band or making a gentle puff piece, but since they can't seem to decide what is actually wrong with me or my work, or they make up lies to smear me, I assume they're just bullshitting themselves to give themselves a reason to be angry.

You had a lot of material to work with, how did you go about chronicling the book?
"Chronicling" didn't happen at all, whatsoever, because I never approached it from the perspective of journalism. I consider it a work of creative nonfiction, so what happened instead was draft after draft, probably thirty drafts or more, of writing the whole thing start to finish, editing things, throwing things out, adding them back in, adding new things in, until the story revealed itself. The book started to write itself after a while, and once enough pieces were it place and it felt right, it was time. The goal was always to create the best, most comprehensive history of the band in existence, something that would be strong enough to replace "Dig!" while not eroding its influence, and I believe I have achieved that.

What is it about the BJM that makes them such a cult band, the fans almost have a religious fanaticism about them?
I think what draws people to the BJM is their energy, but also their mystery. I believe the book solves a lot of the little mysteries fans are curious about, but there may be more questions than answers by the time it's done its rounds, and I for one am excited that their mystery and energy will go on.

Did Anton ever record a song with Charles Manson?
To find out the answer to that, you'll have to read the book!

Did any weird stories happen throughout the books making?
I wouldn't say "weird" but I would use the word "surreal." There was a moment in the writing of the book that I 'crossed over' into the world of the band and the broader psych scene - partying with the Dandy Warhols, playing shows with Gorky opening for Joel's band the Primary Colours, and then Matt Hollywood's band the Bad Feelings. It was like being in the movie. Immersed in that world, and it was so liberating. I was on probation for about half the time I was working on the book, and the world of the Brian Jonestown Massacre was an escape from that, so once it became "real" in so many words, my mind was just blown

I love the books title, tell me about the name?
"Keep Music Evil" is a phrase that Anton copped from another band and used it for his label. Over time the phrase in the BJM scene has taken on different meanings. For me, the phrase is the call to revolution: make art every day, believe in yourself, don't quit, and stick two fingers up at the establishment while you're doing it. It's the whole theme of the book. Hidden in between the lines is an instruction manual for artists.

Did Anton always have a fascination for cults?
I can't really speak for Anton, but as far as I know he's been fascinated with things like cults, esotericism, and the like since he was a child. I would argue that he has a fascination with secrets and secret knowledge, because if you listen closely, there's one hidden in every song.
Author Jesse Valencia
Gorky The Bank - Website

Buy The Book Here

Thursday, 14 March 2019

Filmmaker Jenkinson Denzel-Southern talk's 'Cartel Land'

Tell us about your new film?
Cartel Land is the second film from Mavrik Studios. It focuses on the story of a young girl realising her headteacher is secretly the leader of a Colombian drug cartel.

Where did you get inspiration to tell this story?
The film actually was inspired from a short film I worked on while i was in college still. I came across the script for it again one random afternoon, I then decided to elaborate on it, and try make it into a much larger and grander film.

How did you fund your movie?
Being a start-up puts us in a very interesting position. While we don't have millions to spend on our films. It forces us to be far exact and detailed with what's on the page of our scripts, so when we turn the camera's we provide the most quality film for our fans.

What other projects do you have in the pipeline?
It's still early days in production but so far so good, we like to keep set light as we feel that's not only where Cast and Crew do their best work. But it's where we do our best work. We have our first mobile game coming up called: Billy The Kid. Which focuses on another character' a renegade angel: Billy Banks, but both projects come after our five year anniversary at the end of the month. All in all, it's a very exciting year ahead for the fans.

Monday, 18 February 2019

Films Of My Life - Fabrizio Federico

Cult filmmaker Fabrizio Federico has been a fan of British kitchen-sink movies since watching then as a kid on Sunday afternoons on the BBC. Those wistful, cynical, melancholic, character driven class-conscious stories really struck a chord with the young director in the making. 

Since his young days he has made two kitchen-sink/experimental films Loon (2017) & Teddy Bears Live Forever (2019). They are at once jubilant, melancholic, defiant and vulnerable. It's as if Friedrich Nietzsche started directing episodes of The Simpsons, but made through an indie sensibility, where none of the cast know whats happening, with plot lines beginning and disappearing into thin air, creating an explosive longing for clarity that never materialises in a cobwebbed cinematic landscape of night stalker imagery and full moon voices.


Monday, 11 February 2019

The Dream of the ’90s Is Alive in Fabrizio Federico's Punk Cinema

English filmmaker Fabrizio Federico sends up authority and celebrates slackerdom in movies that combine the energy of punk with the storytelling of hip-hop.

Soundtrack by MAO