Monday 22 November 2021

Black Sabbath's Dark Influence

Black Sabbath's very own name was inspired by a 1963 Boris Karloff horror classic by the Italian director Mario Bava which the band stumbled across one day, but the bands cinematic influence didnt stop there, to the point that if a filmmaker used their music on a soundtrack it would probably be the most badass horror film ever. Songs like 'Children From The Grave', 'Iron Man', 'The Wizard' have immense power to transport the listener to a dark realm that creates vivid and terrifying pictures in your minds eye.

The newest filmmaker to take his battered camcorder as he steps into another world is British born movie-maker Fabrizio Federico. He directs with such exuberance it seems as if he and the camera are bound together by a dark magic spell. 

Call it alchemy, the occult, mysticism - Not every filmmaker is prepared to bewitch the spirits into leading you artistically. 

Here are some examples of filmmaker's who did:

Lucifer Rising (1972)
Lilith (1964)

Pregnant (2016)
Attenberg (2010)
Last Chants For a Slow Dance (1977)
Gummo (1997) 
Performance (1970)
Rosemary's Baby (1966)
The Devils (1971)
The Witches (1966)
Starry Eyes (2014)
The First Power (1990)
Eyes Wide Shut (1999)

As a massive Black Sabbath fan Federico has based his movie 'Teddy Bears Live Forever' around songs lyrics from Sabbath's classic 'Paranoid' about a character losing their mind. The filmmakers life has been filled with drama, he moved to Italy when he was five years old after surviving a house fire, after which the gifted child soon took to painting and learning guitar at an early age. By the age of fifteen he had become a teen prodigy at guitar and art, in America he discovered underground cinema.

This talented and complex artist with a wicked sense of humour has become a symbol for DIY revolt. Driven and self taught Federico is a visual-maestro with a globe trotting streak, having already filmed in Spain, Cuba, Hungary, France, Poland, Germany, Bermuda and Morocco. All his works are self financed by banks that he conned instead of producers or film studios. 


The sounds of Black Sabbath have also influenced the soundtracks to his movies, even going to Aleister Crowleys home in Scotland and recording an album as MAO full of eerie guitar solo's and sounds.
His raw style includes the complete disposal of scripts, actors or any other cinema norm. His debut film Black Biscuit (2012) became notorious. Confrontations would erupt at the mere mention of the movie between film fans both rigid and spirited, young and old on internet film forums, or vitriolic reviews, even on radio and at public appearances. When his movie 'Pregnant' premiered in England a riot broke out when the film was turned off by the theatres manager.


By the time his next feature Pregnant (2015) was released his reputation for being a possessed talent created problems and controversy in rigid mainstream film institutions. During Pregnant's pre-production arson charge surfaced which coincided with his ill health and isolation around this time. By this time he had created a Ziggy Stardust alter-ego called Jett Hollywood (a filmmaker from Mars) who was responsible for the films The Evolution Of The Earth Angel and later Anarchy In The UK. Jett Hollywood committed cinema suicide.

In 2016 Federico ran the first Straight-Jacket Guerrilla Film Festival, which incorporated experimental filmmakers from across the world. His films have been called psychedelic, nightmarish and angelic, all executed with a Peter Pan sense of wonder. He has even been called ''the devils filmmaker''. His PINK8 film manifesto even caused his films to be banned from universities after it was discovered that film groups were screening his films on campus including his new film Loon (2017) which is about a folie a deux relationship.