Showing posts with label bfi london. Show all posts
Showing posts with label bfi london. Show all posts

Friday, 26 August 2016

Make A film, its eez-eh // Fabrizio Federico's ((PINK8 Manifesto


Pink8 Manifesto

  • Film school is poison.
  • Short films are NOT acceptable, it MUST be a feature.
  • The cast must NOT know what your film is about. 
  • Mistakes are beautiful. 
  • Technical film experience is inessential. 
  • Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly, and imperfect are perfect. 
  • Your film must be made on no budget, just sporadic money.
  • Look for street superstars to be your cast.
  • The director must raise "get-by" money by finding a job that challenges their ethics.
  • The director must have a main character role in the film.
  • Filming must be done without any preparation or a traditional script.
  • Your film must be 95% improvised.
  • Special lighting is not acceptable.
  • No HD Cameras
  • No 3D
  • No Green Screen
  • The director must edit the film alone.
  • Continuity is wrong.
  • Answer to one person only—yourself.

Saturday, 16 January 2016

Jett Hollywood - A Filmmaker from Mars (Jetts story)

Jett's Story:
”When Ziggy Stardust & his Spiders from Mars came to Earth on the day he became a Superstar and appeared on Top OF THE POPS he sang STARMAN.

One night my mother watched him sing on a Top of the Pops rerun; her shuttle pot glitter eyes glistened and she experienced her first orgasm.

Nine months later I was born, yet my mother was still a virgin.

Ziggy hypnotized her with his midnight oil tongue and ‘love watch me here” signals and chose her as the spaceship for his one and only offspring.
Ziggy was fatally torn apart by his audience.
In his death a cosmic laser union was born.


I am a filmmaker from Mars.


My mission is to create two heart & mind life changing films. before I commit Cinema Suicide, just like my father committed Rock & Roll Suicide.”




Jett Hollywood is a film director from Mars - The manifestation of a space age filmmaker. He can do no wrong. He loves glamour. But he only has the opportunity of making 2 feature films to save Cinema from becoming forever enslaved by the establishment, which could mean suicide. Offering hope to future generations of cinema lovers. They are called the Wild Boys.


 

Friday, 16 October 2015

Fabrizio Federico's - Favourite Books


Down & Dirty Pictures - Peter Biskind
Go Ask Alice - Anonymous
A Clockwork Orange - Anthony Burgess
Childhoods End - Arthur C. Clarke
The Wind In The Willows - Kenneth Grahame
Beyond Good and Evil - Freidrich Nietzsche
Lilith - J. R. Salamanca
Helter Skelter - Vincent Bugliosi
Easy Riders, Raging Bulls - Peter Biskind
The Doors of Perception - Aldous Huxley
Cries Unheard - Gitta Sereny
One Flew Over The Cuckoo's Nest - Ken Kesey
The Adventures Of Roberto Rossellini - Tag Gallagher
The Dead Zone - Stephen King
Crowds and Power - Elias Canetti
Edie: American Girl - Jean Stein
Pimp - Iceberg Slim
The Picture Of Dorian Gray - Oscar Wilde
The Atrocity Exhibition - J. G. Ballard
Confessions of an English Opium Eater - Thomas De Quincey
Animal Farm - George Orwell
Deep in a Dream: The Long Night of Chet Baker - James Gavin
Last Exit to Brooklyn - Hubert Selby, Jr.
The Doctrine of Fascism - Benito Mussolini
On the Road - Jack Kerouac
The Master and Margarita - Mikhail Bulgakov
The Little Prince - Antoine de Saint-Exupéry
Alice's Adventures in Wonderland - Lewis Carroll
The Alchemist - Paulo Coelho
The Cult of Violence - John Pearson
The Talented Mr Ripley  - Patricia Highsmith
Brighton Rock - Graham Greene
Interview with the Vampire - Anne Rice
In Cold Blood - Truman Capote
Trainspotting - Irvine Welsh
12 Days on the Road: The Sex Pistols - Noel E. Monk
Story of the Eye - Georges Bataille
Say You Love Satan - David St. Clair
Catcher in the Rye - J. D. Salinger
Wiseguy - Nicholas Pileggi


Monday, 12 October 2015

A Pop Symphony for Film // Pregnant - Directed by Fabrizio Federico

''If a tree falls in the forest but no one’s there to Instagram it, did it happen at all?''
PREGNANT [official website]: http://pregnantmovie.moonfruit.com/

Saturday, 30 May 2015

Fabrizio Federico - Film Interview


Fabrizio Federico is a young independent director from the UK with a penchant for off-the-wall micro budget filmmaking. He made his first feature film, entitled Black Biscuit, after getting deported from America. That movie promised to represent “The Future of Cinema” and bore with it the “Pink8″ manifesto, a sort of spiritual successor to Lars Von Trier’s Dogme 95 avant-garde movement.
As described on the Pink8 website, the philosophy dictates (in part):
  • Film school is poison.
  • Look for street superstars to be your cast.
  • Your film must be made on no budget, just sporadic money.
  • The cast must NOT know what your film is about.
  • Your film must be 95% improvised.
  • No HD cameras.
  • Mistakes are beautiful.
  • Continuity is wrong.
  • Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly and imperfect are perfect.
 INTERVIEW: MOVIE FAIL (Website)

True to this mantra, Federico’s movies feature casts of “university students and homeless people, prostitutes – just random people [he] met on the street.” He says his filmmaking style spawns from his musical background and engages in a striking but polarizing punk rock aesthetic that’s reflected in his use of sound, color and imagery. This self-described “car crash” methodology even extends to post-production; sometimes, Fabrizio says, he edits his movies blindfolded. Other times, he edits on LSD.
Federico was kind enough to take time out to speak with me about his newest projects, the future of the movie industry and the tangibility of human consciousness. ~ Søren
As always, you can subscribe to our podcast using iTunes. Alternatively, you can check out the interview online or download it here. Happy listening!

Wednesday, 15 April 2015

Fabrizio Federico - Devil May Care

''Cinema needs to become more random, more mad. I've stopped trying to figure out life, we're all insane thats all Im really sure about''
Pregnant (Official Trailer) 2015
http://pregnantmovie.moonfruit.com/

Tuesday, 24 February 2015

Fabrizio Federico - Interview with Jordan Dilger

https://jordandilger.wordpress.com/



I had not heard about Fabrizio until he posted a trailer (Black Biscuit) on our Facebook page. Not unusual, except it was our university film society page and he doesn’t go to our university, or live in London (where our university is). Over the next few weeks he posted other things, mainly about Pink8 (Google it, i’m not a spoon).

We joked about the oddity and let it be. But a germ had been planted. Slowly it spread and now I wanted to discover more about Fabrizio. I think I’m in love. I know it will never work, it just makes the bond stronger. I tried to organise a personal interview in order to capture him and chain him to my bed. However he caught on and decided to do one over the internet. Or he was busy, one or the other.

This is my feeble, anarchic attempt to unpick him…




Sunday, 11 January 2015

Film director Fabrizio Federico's Top 10 Lost Teen Cult Movies of All Time




1: Dusty & Sweets McGee (1971)
Directed by Floyd Mutrux
A "straight" couple dabbles in drugs and become heroin addicts. Shot in a raw dangerous Cinéma vérité style. Most of the people who appear in his astonishing semidocumentary about the daily life of Los Angeles heroin abusers are real-life addicts, caught up in an endless cycle of stealing, hustling, jail time, shooting up, and coming down - hard. Directed by Floyd Mutrux (American Hot Wax), with graphic cinematography by William A. Fraker (Bullitt), Dusty and Sweets McGee is "a film in its own category. There are long stretches during which it's hard to take your eyes off the screen''. It has never been officially released on DVD.

 


2:  I Start Counting (1970)
Directed by David Greene
A 14-year-old girl coming to terms with her sexuality discovers that her older adopted brother (who she is secretly in love with) may be guilty of a series of bizarre sex crimes. Depicting a time before it was safe to let your children out unsupervised, things unfortunately changed dramatically in the UK after the notorious Mary Bell murder case. A focal point in this film is the young & talented actress Jenny Agutter's performance as the beautiful wide eyed Wynne. She bewitches the viewer with her dreamy aura. Her character searches the dull small town streets for a mature funny Valentine who will  bring her through the door of womanhood that she so desperately wants.


3:   Go Ask Alice (1973)         

Directed by John Korty

Inadvertently, a 14 year old girl gets sucked up in the 1960's hippie counterculture odyssey of the LSD drug and promiscuous sex scene. Alice is a lonely girl who early on doesnt fit into the different crowds at her High School. Social teen peer pressure is exposed along with Alice's relationship with her ''square'' parents. The film was developed from the infamous U.S High School teen book Go Ask Alice, which also recalls the same plot line in The Beatles 1967 track She's Leaving Home. The girls in the book show us the early cultural stages which a lot of unsatisfied & troubled young girls felt in the 60's and also forewarns us of the origins of the disturbed Manson Girls, who would later be responsible for the Tate & LaBianca murders.


4:  The Death of Richie (1977)
 Directed by Paul Wendkos

A sensitive but confused teenager feels pressure on him from all directions and turns to drugs, which causes problems for him in school and at home. Murdered at the hands of his father, who was ultimately not charged with the shooting death of his son. This is one of cult director Vincent Gallo's favorite films and where he first spotted the actor Ben Gazzara who he would later cast in his own Buffalo 66.


5: American Heart (1992) 
Directed by Martin Bell 
Jack (Jeff Bridges) is now out of jail and he meets Nick (Edward Furlong), his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams. Nick falls for the street sharp beautiful Monique (Jayne Entwistle) who breaks his heart. Edward Furlong has always had a very intriguing presence as a teen character actor. This is his finest moment as he shows his young talent for portraying  the character of the troubled, sensitive but doomed homeless street kid. 

 

                                             

 6: Desperate for Love  (1989)
Directed by Michael Tuckner
The story of murder among a trio of teenagers after a boy breaks up with a girl and she runs into the arms of his vulnerable best friend. Christian Slater at his James Dean period best. Based on a true story. Cliff is sentenced to jail for eight years, but is released on parole after four years, in October 1988. A young Christian Slater depics the down and out small town south, which was very similar to Guns & Roses singer Axle Rose's background.  Bored teenagers with nothing better to do but wrestle with being young and horny for love.


7: Born Innocent:
Directed by Donald Wrye

A constant runaway Chris (Linda Blair) is given over to the care of the state and finds herself in a remand centre for girls. She is soon caught between the uncaring bureaucracy, the sometimes brutal treatment from her peers and her own abusive family, and only one care worker sees her potential to rise above her tragic circumstances. The powerful young actress Linda Blair arrives here fresh off of the demonic Exorcist set to depict another side of the teenage experience craving freedom from their family lives. Teen runaways who were born to be bad. This brutal film is famous the notorious shower rape scene where a plunger stick is used on a helpless Chris is heartbreaking.


8: Foxes (1980) 
Directed by Adriane Lyne 

A group of four teenage girls come of age in the asphalt desert of the San Fernando Valley arranged with a blazing soundtrack and endless drinking, drugs and sex.  Cherie Curie lead singer from The Runaways makes her acting debut along side Jodie Foster, made one year before John Hinckley, Jr tried to assassinate Ronald Regan in order to impress Foster.

 

9: Tuff Turf  (1985)
Directed by Fritz Kiersh
A rich middle class rebel ends up moving with his family, after his father goes bankrupt, to the rough Compton streets and ends up clashing with a local gang and falls for the gangleaders girlfriend. James Spader and Robert Downey Jr nail the frustrated teenage experience in the 80's supported with some great music by the Jim Carroll Band

                                      

10: The Wild Ride (1960)
Directed by Harvey Berman 
A rebellious punk Johnny (Jack Nicholson) of the Beat generation spends his days as an amateur dirt track driver in between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few police officers and finally sees his own life end in tragedy. Producer Roger Corman later wrote "this is one of the little pictures I remember with pleasure; it turned out very well.". Watch a very young Jack Nicholson as he shows us how its done, and pinpoint and see why we would all later fall in love with his relaxed smart ass attitude and delivery towards society and ''The man''.



Thursday, 9 October 2014

Fabrizio Federico - Outlaw Cinema


          

                   
                   






Monday, 23 June 2014

Pregnant - International Trailer

 


Dive into a ‘Pop Symphony for Film’.

Composed of movements depicting a trip through a VHS tape into the banks of 21st century Mondo digital technology addiction, and the pregnant pause of the character's existence which leads to their inner stagnation.

 

With each scene depicting a personal quest for salvation, we follow a DJ shaman intent on oblivion through clubland, a desert drifter get's in touch with a purer world after escaping a violent cult.   An actor reminiscing about his deceased child’s stillbirth, and a nymphomaniac developing pregnancy addiction, these counteract segments involving lazy, disillusioned anarchists -  the homicidal preacher facing an existential crisis and a transfigured philosopher who’s descended into the madness of a demon psyche.

 

All are a springboard into hysteria by means of going through your private hell and making it to the other side reborn after witnessing a psycho-sexual ceremony involving ritual. 











 

Tuesday, 3 June 2014

Fabrizio Federico - Babylon London interview



     Interview by  Amelida Hasani 




       As an independent filmmaker how important is the accessibility of digital distribution for you? And what are the advantages of platforms such as Raindance Releasing who hold your feature, Black Biscuit? 

It’s the highest thing that a film director could wish for,  if only we prayed for it sooner, the flood gates have been opened up and cinema is turning into a mad house, filmmakers can make any type of film they want. I’ll never make mainstream films that are tailored for boring cinema chains like Showcase. Raindance embraces alternative cinema more than a lot of other film festivals. Its what Sundance should have become, everything doesn’t have to be professional or even cohesive to make sense and they understand that. The advantages are you get to lease your film out to distributors and keep things simple, I have a 2 year fair and honest licensing deal with Raindance, it’s not even about the money anymore because if your film becomes a hit in the mainstream market everyone involved in the films production is going to get ripped off anyway, also filmmakers get to focus on a pure aesthetic without having to make cuts for the censors.



2.      I am aware that your feature is also available for free viewing via youtube, why did you opt to put it online in this way? 

It was free on YouTube for a few years and from there it built up an audience and now I want to experience the support of like minded people, before I had more time to concentrate on doing everything. I had filmmakers like Lars von Trier, Jonathan Caouette, Bruce LaBruce and Nick Zedd support the film and it developed this DIY Punk audience, the idea that anyone can make a feature film out of everyday life, scripts are such a drain you miss out on so much spontaneity, Im free spirited, I’ll improvise entire films based around different years. For my next feature called Pregnant Im going to concentrate having the film shown in South Korea, Im surprised the internet hasn’t been banned sometimes. Put your work online for a worldwide audience and lets put corporations who monopolize the film industry out of business.

    

3.      With the growth of VOD platforms as well as digital distribution the advantage has been that more filmmakers are able to showcase their work to a wider audience, but in relation to this there seems to be the worry that traditional cinema viewing will go in decline. Do you think that is a possibility? 


Yes and it’s about time I don’t see it as a worry, films should be shown everywhere, the group Exploding Cinema screen films under bridges and others have been screened in insane asylums and homeless shelters. People are going to want to get together, it’s a long story. A lot of peoples TV screens are almost as big as a movie theatre screen anyway these days, people will just have to get up and organize their own events instead of sitting around if they miss the old movie experience so much, I wish there were more car drive-in movie theatres, they were a good idea, and it’s smoother to get off with your date in a car.


4.      For independent filmmakers as yourself what is the aim when distributing a film, is having your feature on a big screen the mission or has that changed? 


It hasn’t changed for everybody because some people still really want to see their film on a big screen, which is for some filmmakers, my movies work better in small groups, either with tiger blood or poetic misfits looking to see the world scrambled. For me the occasion or happening is more important that just showing my films on any generic big screen. At the moment Im organizing Black Biscuit to be screened at my Psychedelic Pussycat club night in Nottingham on April 25th at the Chameleon. My aim is to turn on and tune in every country through the black market door especially in places like Iran.


5.      Finally, who are the audiences you aim to attract to your work? 

People with an open mind who are looking for movies that challenge them, movies such as Performance, The Brown Bunny, Trash Humpers, Being John Malkovich, or Alps. I see cinema as alchemy. Something where you should walk away after a screening feeling melted and altered.

http://blackbiscuit101.moonfruit.com/