Showing posts with label sight and sound magazine. Show all posts
Showing posts with label sight and sound magazine. Show all posts
Sunday, 2 October 2016
Fabrizio Federico - '21st Century Schizoid Man'
Black Biscuit (2012) https://www.youtube.com/watch?v=ImoHm4gS4RU
Pregnant (2015) https://www.youtube.com/watch?v=rI42DJLdQwk
The Evolution of the Earth Angel (2015) https://www.youtube.com/watch?v=zMdW71D1GRM
Anarchy in the UK (2016) https://www.youtube.com/watch?v=lpNA75b2hCw
Labels:
ANARCHY IN THE UK,
British Underground Cinema,
Cahiers du cinéma,
cult cinema,
empire magazine,
experimental film,
fabrizio federico,
indie film,
sight and sound magazine,
underground cinema
Friday, 26 August 2016
Make A film, its eez-eh // Fabrizio Federico's ((PINK8 Manifesto
Pink8 Manifesto
- Film school is poison.
- Short films are NOT acceptable, it MUST be a feature.
- The cast must NOT know what your film is about.
- Mistakes are beautiful.
- Technical film experience is inessential.
- Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly, and imperfect are perfect.
- Your film must be made on no budget, just sporadic money.
- Look for street superstars to be your cast.
- The director must raise "get-by" money by finding a job that challenges their ethics.
- The director must have a main character role in the film.
- Filming must be done without any preparation or a traditional script.
- Your film must be 95% improvised.
- Special lighting is not acceptable.
- No HD Cameras
- No 3D
- No Green Screen
- The director must edit the film alone.
- Continuity is wrong.
- Answer to one person only—yourself.
Labels:
ANARCHY IN THE UK,
bfi london,
Fabrizio Federico's,
its eez-eh,
Make A film,
Pink8 Manifesto,
sight and sound magazine
Monday, 4 April 2016
Underground Cinema
http://punk.london/event/straight-jacket-guerrilla-straight-jacket-guerrilla-film-festival/
![]() |
Fabrizio Federico |
Labels:
bfi london,
British Underground Cinema,
cult cinema,
Fabrizio Federcio,
indie cinema,
Pink8 Manifesto,
punk london,
sight and sound magazine,
Straight-Jacket Guerrilla Film Festival
Friday, 18 March 2016
2016 The Apotheosis of Punk - Straight-Jacket Guerrilla Film Festival
Labels:
British Underground Cinema,
cult cinema,
fabrizio federico,
film festival,
indie film,
Pink8 Manifesto,
punk london,
sight and sound magazine,
Straight-Jacket Guerrilla Film Festival
Sunday, 3 January 2016
Underground Cinema - Star of 2016 Fabrizio Federico
Labels:
black biscuit,
British Underground Cinema,
cult cinema,
fabrizio federico,
indie cinema,
Pink8 Manifesto,
pregnant,
sight and sound magazine,
Star of 2016,
underground cinema
Wednesday, 18 November 2015
Dark Side of Cinema
Since 1878 (which = 6) the birth of cinema has danced with many partners, splintering the art of filmmaking down many different paths, similar to how tarot cards, the Qabalah and other jaberwockery that was persecuted on its first introduction. But from its birth certain filmmakers have brought to the table a more tribal Wicca ingredient to mystic filmmaking. Especially proponents of the counterculture.
"Do what thou wilt shall be the whole of the Law''
Aleister Crowley
Exploring insanity, ecstasy, nihilism, dreams, carnal and occult practices, their subjects and topics are far far away from mainstream cinema, prefering to create a visual approximation to eternity.
Tapping into an energy similar to a UFO that on first viewing may seem alien, but there lies its true magick, and rewards. Many consider these films avant garde, spacey and cosmic, with goo-goo sights and third eye disturbed states of minds, but altered states of consciousness have always pushed the boundaries of creativity.
Showing a way of life beyond the artificial veil of a fake plastic society and displays the divine Babylon of life. With such tools as ESP, ley lines, hexagrams, sitars, astral travel, Eastern mysticism, past lives, LSD and other supernatural invocations. An impending apocalypse at the crossroads of cinema was bound to be introduced to open minded audiences, almost as a form of telepathy classes into the unknown.
These filmmakers guide the viewer in the same manner as a healer would. Creating a rhythm of sound and vision that a shaman, sorcerer or witch doctor would be proud of. In their films all the children are insane, on the edge of the city, ''I was in a German psychiatric clinic when I received inspiration to go out and make a film, and it healed me'' says the youngest filmmaker Fabrizio Federico in our list.
Here are some of their spells:
Rosemary's Baby (1968)
Loon (2017)
Out of the Blue (1980)
Mister Lonely (2008)
El Topo (1970)
Lucifer Rising (1974)
Labels:
alejandro jodorowsky,
cult cinema,
Dark Side of Cinema,
dennis hopper,
donald cammell,
Fabrizio Federcio,
harmony korine,
kenneth anger,
roman polanski,
sight and sound magazine,
underground cinema
Monday, 13 July 2015
Fabrizio Federico - Film Interview gone WRONG
Labels:
black biscuit,
Cahiers du cinéma,
cult cinema,
fabrizio federico,
independent cinema,
interview,
Pink8 Manifesto,
pregnant,
sight and sound magazine
Tuesday, 5 May 2015
PINK8 Manifesto - A Crusade on the Nature of Cinema
- Film school is poison.
- Look for street superstars to be your cast.
- Your film must be made on no budget, just sporadic money.
- Mistakes are beautiful.
- The director must raise "get-by" money by finding a job that challenges their ethics.
- The director must have a main character role in the film.
- Short films are NOT acceptable, it MUST be a feature.
- The cast must NOT know what your film is about.
- Continuity is wrong.
- Filming must be done without any preparation or a traditional script.
- Your film must be 95% improvised.
- Special lighting is not acceptable.
- No HD Cameras
- No 3D
- No Green Screen
- The director must edit the film alone.
- Bewildering, vague, self-indulgent, plot-less, risky, egotistical, limpid, raw, ugly, and imperfect are perfect.
- Technical film experience is inessential.
- Answer to one person only—yourself.
Labels:
Andrew MacKenzie,
black biscuit,
british film institute,
Cahiers du cinéma,
empire,
fabrizio federico,
Pink8 Manifesto,
pregnant,
sight and sound magazine
Thursday, 8 January 2015
Fabrizio Federico new pics
Labels:
black biscuit,
Cahiers du cinéma,
cannes film festival,
cult filmmaker,
dogme95,
fabrizio federico,
filmmaker,
Pink8 Manifesto,
pregnant,
sight and sound magazine
Wednesday, 24 December 2014
Cineme interview with Fabrizio Federico
Labels:
Cahiers du cinéma,
cineme films,
cult cinema,
fabrizio federico,
interview,
Pink8 Manifesto,
pregnant,
punk cinema,
raindance,
sight and sound magazine
Tuesday, 18 November 2014
Cult Cinema - Fabrizio Federico new film Pregnant
Labels:
black biscuit,
british film institute,
Cahiers du cinéma,
cult cinema,
cult film,
fabrizio federico,
Pink8 Manifesto,
pregnant,
sight and sound magazine
Sunday, 19 October 2014
Grolsch Filmworks - Pregnant directed by Fabrizio Federico
Grolsch Filmworks chats about the Pink8 film manifesto and the new feature film Pregnant.
http://grolschfilmworks.com/ca/news/fabrizio-federicos-pregnant-is-an-assault-on-the-senses
Labels:
bfi london,
black biscuit,
cannes film festival,
fabrizio federico,
film director,
Grolsch Filmworks,
Pink8 Manifesto,
pregnant,
sight and sound magazine
Tuesday, 29 July 2014
Fabrizio Federico interview on BBC Radio
Fabrizio Federico BBC Radio interview 2014
Discussing the new film Pregnant.
http://pregnantmovie.moonfruit.com/
http://fabriziofederico.moonfruit.com/
http://blackbiscuit101.moonfruit.com/
Labels:
2014,
avant garde film,
bfi london,
black biscuit,
dogme95,
fabrizio federico,
indiewire,
interview,
Pink8 Manifesto,
pregnant,
sight and sound magazine
Monday, 23 June 2014
Pregnant - International Trailer
Dive into a ‘Pop Symphony for Film’.
Composed of
movements depicting a trip through a VHS tape into the banks of 21st
century Mondo digital technology addiction, and the pregnant pause of
the character's existence which leads to their inner stagnation.
With each scene depicting a personal quest for
salvation, we follow a DJ shaman intent on oblivion through clubland, a
desert drifter get's in touch with a purer world after escaping a
violent cult. An actor reminiscing about his deceased child’s stillbirth, and a nymphomaniac developing pregnancy addiction, these
counteract segments involving lazy, disillusioned anarchists - the
homicidal preacher facing an existential crisis and a transfigured
philosopher who’s descended into the madness of a demon psyche.
All are a springboard into hysteria by means of going
through your private hell and making it to the other side reborn after
witnessing a psycho-sexual ceremony involving ritual.
Labels:
bfi london,
Cahiers du cinéma,
cult cinema,
fabrizio federico,
Pink8 Manifesto,
pregnant international trailer,
pregnant official trailer,
punk cinema,
raindance film festival,
sight and sound magazine
Tuesday, 3 June 2014
Fabrizio Federico - Babylon London interview
Interview by Amelida Hasani
As an independent filmmaker how
important is the accessibility of digital distribution for you? And what are
the advantages of platforms such as Raindance Releasing who hold your feature,
Black Biscuit?
It’s the highest thing that a film director could
wish for, if only we prayed for it sooner,
the flood gates have been opened up and cinema is turning into a mad house,
filmmakers can make any type of film they want. I’ll never make mainstream
films that are tailored for boring cinema chains like Showcase. Raindance
embraces alternative cinema more than a lot of other film festivals. Its what
Sundance should have become, everything doesn’t have to be professional or even
cohesive to make sense and they understand that. The advantages are you get to
lease your film out to distributors and keep things simple, I have a 2 year fair
and honest licensing deal with Raindance, it’s not even about the money anymore
because if your film becomes a hit in the mainstream market everyone involved
in the films production is going to get ripped off anyway, also filmmakers get
to focus on a pure aesthetic without having to make cuts for the censors.
2.
I am aware that your feature is
also available for free viewing via youtube, why did you opt to put it online
in this way?
It was free on YouTube for a few
years and from there it built up an audience and now I want to experience the
support of like minded people, before I had more time to concentrate on doing
everything. I had filmmakers like Lars von Trier, Jonathan Caouette, Bruce LaBruce
and Nick Zedd support the film and it developed this DIY Punk audience, the
idea that anyone can make a feature film out of everyday life, scripts are such
a drain you miss out on so much spontaneity, Im free spirited, I’ll improvise
entire films based around different years. For my next feature called Pregnant Im
going to concentrate having the film shown in South Korea, Im surprised the
internet hasn’t been banned sometimes. Put your work online for a worldwide
audience and lets put corporations who monopolize the film industry out of
business.
3.
With the growth of VOD platforms
as well as digital distribution the advantage has been that more filmmakers are
able to showcase their work to a wider audience, but in relation to this there
seems to be the worry that traditional cinema viewing will go in decline. Do
you think that is a possibility?
Yes and it’s about time I don’t
see it as a worry, films should be shown everywhere, the group Exploding Cinema
screen films under bridges and others have been screened in insane asylums and
homeless shelters. People are going to want to get together, it’s a long story.
A lot of peoples TV screens are almost as big as a movie theatre screen anyway
these days, people will just have to get up and organize their own events instead
of sitting around if they miss the old movie experience so much, I wish there
were more car drive-in movie theatres, they were a good idea, and it’s smoother
to get off with your date in a car.
4.
For independent filmmakers as
yourself what is the aim when distributing a film, is having your feature on a
big screen the mission or has that changed?
It hasn’t changed for everybody
because some people still really want to see their film on a big screen, which
is for some filmmakers, my movies work better in small groups, either with
tiger blood or poetic misfits looking to see the world scrambled. For me the
occasion or happening is more important that just showing my films on any
generic big screen. At the moment Im organizing Black Biscuit to be screened at
my Psychedelic Pussycat club night in Nottingham on April 25th at the
Chameleon. My aim is to turn on and tune in every country through the black
market door especially in places like Iran.
5.
Finally, who are the audiences
you aim to attract to your work?
People with an open mind who are looking for movies
that challenge them, movies such as Performance, The Brown Bunny, Trash
Humpers, Being John Malkovich, or Alps. I see cinema as alchemy. Something
where you should walk away after a screening feeling melted and altered.
http://blackbiscuit101.moonfruit.com/
http://blackbiscuit101.moonfruit.com/
Labels:
Amelida Hasani,
bfi london,
black biscuit,
Cahiers du cinéma,
cannes film festival,
fabrizio federico,
interview,
Pink8 Manifesto,
raindance film festival,
sight and sound magazine,
venice film festival
Tuesday, 25 March 2014
Filmmaker quotes - Fabrizio Federico
Labels:
bfi festival,
black biscuit,
british film institute,
Cahiers du cinéma,
dennis hopper,
fabrizio federico,
filmmaker quotes,
Pink8 Manifesto,
raindance film festival,
sight and sound magazine
Wednesday, 12 March 2014
Fabrizio Federico quotes
Labels:
black biscui,
cinema quotes,
dennis hopper,
fabrizio federico,
gus van sant,
harmony korine,
Pink8 Manifesto,
sight and sound magazine,
stanley kubrick,
t raindance film festival,
vincent gallo
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