Oddball Casualties Blog: sight and sounds

Showing posts with label sight and sounds. Show all posts

Monday, 26 January 2015

Pregnant (2015) director Fabrizio Federico

Pregnant (Official Website)

Sunday, 24 March 2013

Fabrizio Federico 2013 Black Biscuit - Film

Thursday, 24 January 2013

Fabrizio Federico live in Barbados

Filmmaker Fabrizio Federico has screened his
feature debut Black Biscuit in Barbados this week:

Fabrizio Federico (Web Site)

Saturday, 29 December 2012

Fabrizio Federico & Cult Cinema - Black Biscuit

Black Biscuit (watch full movie)

Sunday, 22 April 2012

Fabrizio Federico interview - Gutter Cinema

Did you have much experience in film before you made Black Biscuit ?

Nothing but a love for movies. I’ve always been into underground cinema, stuff like Andy Warhols early Edie Sedgwick films, Tarnation, Julien Donkey Boy, Buffalo 66, The Last Movie by Dennis Hopper which is my favorite film. I wanted to change the rules of cinema. To improvise like Jazz, and to be adventurous.

To get rid of professionalism, actors, plot, story boards, traditions and create a film that stands alone and new.

How did you finance the film ?

I didnt sit down one day and say ‘Im going to get a budget together, then Im gonna find some actors, then locations…’ no, I just did it on the run.

Filming took about 1 year. If I met someone who was interesting, or charismatic I’d ask them if they wanted to be in a movie with me.

Whatever. Some of the cast were people who aspired to be actors but I had them play themselves. We’re surrounded by superstars and we don’t even see it.

I was working as a life model, and I just fed that money into the project. I also went from door to door asking people to donate 1gbp.

The film cost about 500gbp to make. It was shot on my mobile phone, and some childrens cameras. I was going through a Jim Jones cult, vampire, psychedelic 60’s faze when I made it.

It’s a very distinctive film, what gave you the concept ?

I just thought that there were a lot of unwritten laws, rules, and targets that filmmakers subconsciously have tattooed on their brains about cinema.

That cinemas should look and be a certain way.

All this film dogma come’s from critics, film teachers, internet trolls, and some of the film festival submission rules. And for a young filmmaker all that can really kill your style.

I don’t like being told what to do when it comes to being creative, so I made a film that would burn all these misconceptions on how to make a feature film.

You don’t need experience, technology, money, or even a plan to do it, just let the love of being creative take over you on the spot.

Theres a lot of footage ?

There’s a lot of life out there.

What is the plot of the film ?

The film is more about a spirit than a plot, I guess I wanted to capture today’s zeitgeist.

I see a lot of disappointment and isolation. Young kids who cant find direction or work, mass social surveillance with CCTV, celebrity culture, governments you cant trust.

We’re living in an untrusting world, we’ve almost got too much freedom, but no freedom.

This century is going to be a Catch 22 I can feel it.

I chose to look for the most common character of our times. Lost misfits.

People that don’t belong anywhere, a Black Biscuit. They live way, way out on the outskirts of society.

Whether your homeless, or a internet media whore your still missing.

I wanted to show the world these characters, and to get rid of some of the myths that surround’s the lonesome drifter anti-hero. The Film director as the new modern rebel.

The films technique is very diverse, what led you to this style ?

I just work off the cusp, I don’t plan at all. I sit down and follow a path. Some days I’ll feel like Im from the 1920’s, another day I might be choppy or in a cinema-verite mood.

Im constantly changing, shedding my skin, Im like a rolling stone not gathering any moss. I don’t follow trends, I live in my own strange universe.

I guess Im a bit like that character from American Beauty, the one who films the plastic bag….Ricky something.

I see beauty in a lot of trivial things, stuff that gets lost in this fast world we live in.

The types of films I love often get called pretentious, but I feel that’s just from people who don’t have an open mind and are scared of the unknown.

Try something new, and be a creator not a critic.

Fabrizio Federico Interview - Psychiatric Cinema

Do you think artists have a personality complex?
I think artists are the ones who carry a personality complex, but are brave enough to do something about it. To go out and find something to fix their broken half. It's like losing your favorite pillow, I like going back in time and living one week as if it's the 50's or 60's the next week like the 90's, and occasionally today. I guess I’m a film astronaut.
What drives you to create?
Maybe the way to go in life is to find a mission for yourself. Something to keep you busy, whether it's films, or sex, or creating. As long as your not bored. If none of my work achieves what ever the public consciousness considers to be success, then thats even better. All the great artists die penniless, and Im proud of myself that I never aspired to be president.
What does your film Black Biscuit mean?
Uhhhhhhhh, forget about all that just absurd it. Film for me is a playful field. I don’t understand all the bitterness and criticism that comes out of the woodworks towards cinema. Such hostile criticism. Opinions change with time, and Im the newest lamb to be nailed to the cross. I like my work to span a wide variety of feelings like a tornado; from happy to lonely, to spooky. I get turned on by witches. Black Biscuit is a gutter circus.

So how did you set a mood for your film?
By giving out impressions...isnt an impression formed within the first 3 seconds of meeting someone. I like to make people feel loose when Im collaborating with them, think of my film set as a brothel. I'll encourage you to pursue your vices. Hopefully you dont let them eat you.

Does cinema still provoke?
Yes it does, but just not as much. I'd like to see less polished, structured films, and more movies about the mundane. That and bizarre real life subjects . My goal is to show people you don’t need to make 20 short films before you get around to making a feature film. The big mainstream films at the moment are just so schmaltzy like syrup. My ideal cinema world would consist of less budget, and planning. Just to be primal. I cant follow 1 style for 120min it's boring to me, so I surf a wide variety of influences.
What’s your philosophy on life ?
My planets will shift but my sun is called personal freedom. I hope I come out smiling in the end, but I’m not out the tunnel yet. Feelings that surround me now will change, but if you go for internal bliss you cant go wrong. Alchemy is a good place to start.

Fabrizio Federico interview (Gold Memories)

By Andrew Farrell, February 26, 2012

The films plot seems to be very thin, is there something I’m missing?

Imagination (laughing)

But some people are really confused by the film and by it’s transgressive style, do you feel the need to explain yourself ?

What is there to explain, I find that people who are confused by art usually have no imagination. I don’t think I’ve ever been confused by a film. I usually love it even more if it throws me and plays with my feelings.

I like to create images that romanticize memories, call them gold memories if you like.

I just want to show brilliant days, shadows, rain, what ever gives someone an infinite feeling.

Why wont you explain what the films about?

That’s not the point, why have audiences become so lazy? It really blows me away – You can only be saved when your lost.

I want to be shot by all the critics, I want to see what my capacity is for a critical backlash, I hope I die broke like Van Gogh, misunderstood, because I don’t need acceptance. Maybe ‘Black Biscuit’ isn’t even a film but an introspective bitch slap.

I wanted to create a yearning feeling in the viewer, and to take them back to a time when they were lost, and stuck out sea with not a fucking clue what to do with their life.

And just to give people blissful ecstatic moments along with hope.

You obviously don’t have a problem with nudity, or sex what are your views on those themes ?

Maybe we’re going backwards, AIDS really fucked up everything and created so much guilt that’s now attached to sex. Maybe it’s just that I wanted to have a memory to remember what my dick looked like when I was younger. But I just love sex, I envy animals because things are so simple for them, humans have got enough layers on already, and being naked really throws away pretentions. Clothes are the death of mankind.

It looks like the editing played a big part in creating your statement, how do you view the editing phase?

We live in an edited world. My view on life is kind of based on Situationism. A PG film is not going to change anything, but a spectacle on the other hand will push things forward, I think it’s a virtue to have a low attention span, and to not be patient. I want everything now. That goes for life, love, dreams. Im not waiting for no one, especially people to approve of my work, I want to live in summertime forever. The mainstream is like a tall boring castle and they deserve the occasional Jack In The Box lunged at their face. I don’t care about my reputation, why should I. It will just make my hair fall out.

Won’t that make life difficult for you?

No it makes it interesting, because then I’ll always have a challenge, and a desire to hustle. I dread having to slow down because then you’ve been corrupted into behaving.

I’m obviously not doing any of this for the money, this is made for fun and to inspire a mental uprising. Forget about this class bullshit, be classless, like me.

Is this just intentional to create a generation barrier?

It’s not about barriers, it’s about the future of creative freedom and if someone who is however old doesn’t get that then their already obsolete.

Why do you think a barriers going up?

Yes a bit, people either love or hate your work don’t they?

Good that’s how it should be…….people who are on the fence get shot, and art should be a form of shout therapy. My chaos theory is that I don’t want people telling me what to do, I’m being honest, is that so hard to take?

What’s wrong with a bit of mystery and thought attached to life. The thick people and governments are scared of having a liberal youth movement, because they know they’ll be outsmarted. Film distribution is the next thing that’s going to be chicken chocked.

Is Online Distribution something your excited about?

I get wet talking about it, because now artists aren’t going to be cheated anymore, and they don’t have to listen to corporate bullshit. It’s like the dreams come true. I don’t think people have caught onto it yet though. I was expecting parades and celebrations. It’s a lot to take in knowing that you’ve got total creative freedom, and obviously it’s too much for some people.

Where does the Chet character come from is he based on you?

Of course he is, it was a part of me. When your just getting started in the world you depend on everyone else giving you a break, and you become very submissive, and that’s what I wanted to revisit. It’s like being in a room with the lights off, you could go that way, or this, or there in life, but the trick is to get mean and defiant and once that happens you’ll find strength.

Black Biscuit - Trailer

Fabrizio Federico

Friday, 20 April 2012

Fabrizio Federico Photos

Fabrizio Federico